‘Sivaji’ and more….

I am a big fan of Rajinikanth and Kamalhassan and never miss(or have missed) any movie of theirs. A lot of people don’t get how I can say that, How I can love them both! It usually is one or the other for most of them but not for me.

I love Kamal’s progressionist thinking, novel ideas and simply, his passion for cinema, not just indian but world cinema. This passion clearly reflects in his work. His comic timing and unlimited multi faceted talent is simply mind boggling. Truly a genius considering how a despite being a 7th grade drop-out he has a natural flair for all languages all art and literature.

Rajini on the other hand is talent with atmost humility. His screen presence, style and charm is simply unmatchable by ANY actor yet. All he has to do is appear on screen and it creates a vibe and connection with the audience. That is no simple task. Not everyone has that kind of presence. Despite his so called ‘average’ looks, scrubby hair, dark skin and lanky body he has the ability to create a fan base in the millions and captive audience to see him in the billions all over the world. That is not any simple task either.

The movie Sivaji totally proves this. The movie has nothing else worthwhile noting but Rajini and Rajini all through. Thottatharani the Art director proves yet again he is the master in his class with his flawless work. Shankar brought a bit of stereotype in his story telling. But it can also be argued as ‘his style’.

Music was totally lackluster with the worst kind of movie background score I have ever heard. I was more disappointed because it was AR Rahman and he ususally gives much better stuff that this. This movie is far below his quality and genius. I wouldn’t even dare comapre this to his usually high class quality like Roja and even his recent Jilliunu Oru Kaadhal. Usually it takes around 15 to 20 listens to start getting/feeling ARR’s music but 50 listens did nothing for me but irritate me more. With the bad immitation of rap and hip hop in ‘Oru koodai sunlight’ and absolutely logicless choice of Udit Narayn for a melody ‘Sahana’ , added to the irritation. The first song of the any Rajini movie, his introduction song usually packs a powerful punch and gives you goose bumps with SPB’s voice and inspiring lyrics perfectly adding to the song. This is the first movie where this song did NOTHING for me. Totally non descript and uninspiring’Balleilakka’. Even SPB’s voice couldn’t come to the rescue. Usually even a bad song sung by SPB can sound better solely attributed by his absolute emotion and purity in his voice. But this one was too far beyond help. ‘Vaaji Vaaji’ is another circus on its own, with madhushree killing and butchering words as usual and a barely memorable interlude music.  The few other songs are not really worth reviewing.

The other actors worth noting are Vivek the comedian/Hero’s side at all times and Suman the Villain. Both are fantastic. Shreya the heroine simply serves as the token, ‘for the sake of balance’ female in the movie. She is totally dispensable from the whole movie. Ofcourse if that happened, there would be zero drooling and oggling, which totally doesn’t work with Indian cinema.

Overall rating for the movie:

Logic – 0
Story idea – 6
Shankar/direction – 6
Thottatharani/Art- 10
Sujatha/Dialog – 8
KV Anand /Cinematography – 9
AR Rahman/music – 2

Rajini – 10
Vivek -10
Suman -10
Shreya – 4 ( a token rating for the token woman who has danced her ass/hips/belly button off for the sake of drool factor)

If this movie has created such records and hit the roof in popularity despite the bad music (usually very essential for a successful movie) and stereotypical logicless story, yes, Shankar’s , AR Rahman’s , AVM’s brand name definitely  had something to do with it, But its mostly all because of and only because of the master of style and charm – Rajini. That’s how much power he has and thats the screen presence I was talking about.


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